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IMPREGNATING THE SITTER GRIEVING HUSBAND IMPREGNATES TEEN TO FULFILL LATE WIFE'S LAST WISH April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE! She knocks on the door and a pleasant man (Dick Chibbles) greets her. 'Mr. Perry?' April greets with a smile. 'Yes, that's me. You must be April, welcome!' Trent says. April beams, saying that she's pleased to meet him and that she can't wait to meet the boys. April moves into the living room with Trent, making some small talk where it's revealed that she's raising her younger brother. Her parents passed away, so it's all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how's school going? April politely answers all the questions the best she can, even if she's uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money's a bit tight since she didn't get a scholarship. Trent seems intrigued and says, well, there's no shame in working for it! April then asks where the kids are and he says they're in the playroom. He's just going to be gone for a few hours, so hopefully she won't have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won't be coming home. She's at work and has a deadline, so... Anyway, is April ready to meet the kids? April smiles and says that she is and heads off down the hall where she's directed. As she does, Trent walks behind her with a longing gaze. 'One hell of a mother...' he says under his breath. TITLE PLATE CUT TO hours later, and April is tidying up the living room after having put the kids to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. 'Aw, I wonder what they drew...?' she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion. It's a picture with stick figures, very much a child's drawing. There's a man labeled 'Dad' and a woman next to him labeled 'Claire.' They are surrounded by three kids, the boys. They all look happy. There's another woman off to the far side labeled 'Mom.' She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe. 'What does this mean?' April murmurs to herself as she tries to make sense of the picture. She's a little unnerved, putting the paper back down on the table. Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry's name. She quickly finds an obituary for his wife. She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April's startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife's obituary -- why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. 'Listen, I can explain...' he starts, begging for her to just hear him out. April hurries to get out of there, but before she's out the door, Trent blurts, 'Have you ever had someone just DIE on you?' April pauses, painfully remembering her parents' deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but died during childbirth, giving Trent their firstborn son. Even though he loves his son, he wished he'd been given a daughter because that's what they've always wanted. April is wary, but moved by his plight, and says she's sorry for his loss. She was so confused by the picture... But who's Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead. And now? Claire is gone... When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter. April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn't need to be in LOVE with him! He's just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn't an issue for him, he just needs a womb. It's just 9 months of April's life. Plus, she'd be fulfilling his wife's last wish... April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she's open to the deal. Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

IMPREGNATING THE SITTER GRIEVING HUSBAND IMPREGNATES TEEN TO FULFILL LATE WIFE'S LAST WISH April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE! She knocks on the door and a pleasant man (Dick Chibbles) greets her. 'Mr. Perry?' April greets with a smile. 'Yes, that's me. You must be April, welcome!' Trent says. April beams, saying that she's pleased to meet him and that she can't wait to meet the boys. April moves into the living room with Trent, making some small talk where it's revealed that she's raising her younger brother. Her parents passed away, so it's all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how's school going? April politely answers all the questions the best she can, even if she's uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money's a bit tight since she didn't get a scholarship. Trent seems intrigued and says, well, there's no shame in working for it! April then asks where the kids are and he says they're in the playroom. He's just going to be gone for a few hours, so hopefully she won't have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won't be coming home. She's at work and has a deadline, so... Anyway, is April ready to meet the kids? April smiles and says that she is and heads off down the hall where she's directed. As she does, Trent walks behind her with a longing gaze. 'One hell of a mother...' he says under his breath. TITLE PLATE CUT TO hours later, and April is tidying up the living room after having put the kids to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. 'Aw, I wonder what they drew...?' she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion. It's a picture with stick figures, very much a child's drawing. There's a man labeled 'Dad' and a woman next to him labeled 'Claire.' They are surrounded by three kids, the boys. They all look happy. There's another woman off to the far side labeled 'Mom.' She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe. 'What does this mean?' April murmurs to herself as she tries to make sense of the picture. She's a little unnerved, putting the paper back down on the table. Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry's name. She quickly finds an obituary for his wife. She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April's startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife's obituary -- why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. 'Listen, I can explain...' he starts, begging for her to just hear him out. April hurries to get out of there, but before she's out the door, Trent blurts, 'Have you ever had someone just DIE on you?' April pauses, painfully remembering her parents' deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but died during childbirth, giving Trent their firstborn son. Even though he loves his son, he wished he'd been given a daughter because that's what they've always wanted. April is wary, but moved by his plight, and says she's sorry for his loss. She was so confused by the picture... But who's Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead. And now? Claire is gone... When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter. April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn't need to be in LOVE with him! He's just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn't an issue for him, he just needs a womb. It's just 9 months of April's life. Plus, she'd be fulfilling his wife's last wish... April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she's open to the deal. Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

4 years ago 1682 6:14
Sara Luvv arrives back to the hotel , looking for her step mom Ariella Ferrera, but calling out her name a few times, she realizes no one was there...Sara starts making some food when she hears moaning coming from the bedroom. Curious to know what that was about, she opens her mother's door only to be taken back at what she never expected to see.Sara watches her mother Ariella and India Summer caress one another's naked bodies. Sara makes her presence know, but Ariella clears up Sara's confusion, letting her know that her father is aware of her sexual needs and was ok with it. Sara is not sure how comfortable she is, looking at two mature women naked. Ariella thinks Sara needs to open up and explore her deep desires hiding inside of her, begging to come out. India admits that her and Shyla engaged in a sexual affair and Ariella also opens up about her lesbian affair with Chloe. Sara is in complete awe however cannot deny that what India and Ariella were saying wasn't true. Sara wanted to experience her dirty thoughts and make them a reality.India and Ariella comfort Sara, slowly removing her top, displaying her perky brown nipples. India and Ariella remove Sara's shorts and underwear, pampering her body like a goddess. Ariella teases Sara's pussy stroking her finger onto her labia, creating a moist and tasty atmosphere. Sara begs Ariella to continue eating her out cumming all over her mother's face. Ariella instructs her daughter to eat out India while Ariella places her pussy over India's face resulting in the perfect lesbian trifecta. Sara is grateful to her mom showing her a new found lust for women and excited for her next lesbian experience!

Sara Luvv arrives back to the hotel , looking for her step mom Ariella Ferrera, but calling out her name a few times, she realizes no one was there...Sara starts making some food when she hears moaning coming from the bedroom. Curious to know what that was about, she opens her mother's door only to be taken back at what she never expected to see.Sara watches her mother Ariella and India Summer caress one another's naked bodies. Sara makes her presence know, but Ariella clears up Sara's confusion, letting her know that her father is aware of her sexual needs and was ok with it. Sara is not sure how comfortable she is, looking at two mature women naked. Ariella thinks Sara needs to open up and explore her deep desires hiding inside of her, begging to come out. India admits that her and Shyla engaged in a sexual affair and Ariella also opens up about her lesbian affair with Chloe. Sara is in complete awe however cannot deny that what India and Ariella were saying wasn't true. Sara wanted to experience her dirty thoughts and make them a reality.India and Ariella comfort Sara, slowly removing her top, displaying her perky brown nipples. India and Ariella remove Sara's shorts and underwear, pampering her body like a goddess. Ariella teases Sara's pussy stroking her finger onto her labia, creating a moist and tasty atmosphere. Sara begs Ariella to continue eating her out cumming all over her mother's face. Ariella instructs her daughter to eat out India while Ariella places her pussy over India's face resulting in the perfect lesbian trifecta. Sara is grateful to her mom showing her a new found lust for women and excited for her next lesbian experience!

4 years ago 2136 6:12
Strawberry blonde Chrissy Fox first appeared in a Sexart HD erotic film several months ago. While her debut performance was in a lesbian feature, for her sophomore outing she's teamed with a male partner Jayden Cox and she proves herself every bit as adept and appealing with a man as she is with a woman. Lost in the Rain begins on a downbeat note. Caught in an unexpected downpour and underdressed for the unanticipated chilly conditions, Fox wanders in search of her lover's home. When she finally arrives at his door Cox wraps her in a towel and then takes her inside where he draws her a warm bath. After a brief soak to wash away the chill, Fox joins Cox on his bed. After a kiss and a cuddle Chrissy takes off her towel, straddles Jayden's face, and plants her smooth box on his hungry mouth. Fox next repositions herself for a session of sixty-nine, and once both partners have savored their mutual foreplay Fox takes a seat on Cox and begins to ride him in the reverse cowgirl position. Chrissy is a particularly vigorous and expressive partner, and she humps, gyrates, and swivels her hips energetically with Jayden's cock deep inside her pussy. In contrast, Cox is the strong, mainly silent type, whether he's pumping Fox from behind in the spoon position, receiving an agile handjob, or having his cock sucked by the ravenous vixen. Chrissy winds up on her back, stroking her clit, as Cox pumps her to ecstasy, and once her orgasm subsides, he piston-pounds her and then pulls out so that Fox can milk a generous load from his throbbing erection providing Lost in the Rain with an ending that's passionate, wet, and more than a little bit wild.

Strawberry blonde Chrissy Fox first appeared in a Sexart HD erotic film several months ago. While her debut performance was in a lesbian feature, for her sophomore outing she's teamed with a male partner Jayden Cox and she proves herself every bit as adept and appealing with a man as she is with a woman. Lost in the Rain begins on a downbeat note. Caught in an unexpected downpour and underdressed for the unanticipated chilly conditions, Fox wanders in search of her lover's home. When she finally arrives at his door Cox wraps her in a towel and then takes her inside where he draws her a warm bath. After a brief soak to wash away the chill, Fox joins Cox on his bed. After a kiss and a cuddle Chrissy takes off her towel, straddles Jayden's face, and plants her smooth box on his hungry mouth. Fox next repositions herself for a session of sixty-nine, and once both partners have savored their mutual foreplay Fox takes a seat on Cox and begins to ride him in the reverse cowgirl position. Chrissy is a particularly vigorous and expressive partner, and she humps, gyrates, and swivels her hips energetically with Jayden's cock deep inside her pussy. In contrast, Cox is the strong, mainly silent type, whether he's pumping Fox from behind in the spoon position, receiving an agile handjob, or having his cock sucked by the ravenous vixen. Chrissy winds up on her back, stroking her clit, as Cox pumps her to ecstasy, and once her orgasm subsides, he piston-pounds her and then pulls out so that Fox can milk a generous load from his throbbing erection providing Lost in the Rain with an ending that's passionate, wet, and more than a little bit wild.

4 years ago 11913 2:05